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Showing posts with label AMAZING NEW MOVIE. Show all posts
Showing posts with label AMAZING NEW MOVIE. Show all posts

Tuesday, 20 December 2011

Unreal Movie Review: Mission Impossible: Ghost Protocol

Published by Paul Tassi


Who says Americans can’t have their own James Bond?

What once seemed like an eye-rolling bit of news, that there was going to be a FOURTH Mission Impossible film, has actually been an eye opening experience that perhaps there’s room for another indefinitely long running action film series in our pop culture lexicon. Bourne is attempting to do the same thing with a fourth installment himself, but Ethan Hunt and Mission Impossible are far closer to the Bond formula, with less overarching plots and focus on realism, and more unreal action sequences and maniacal villains bent on world destruction. And while Bond has taken a more subdued path as of late, almost looking more like Bourne himself, it appears that Hunt might be ready to take his place as our go-to action hero.


Also, see this in IMAX. Even bootleg IMAX. Unlike 3D, 
it’s worth the surcharge without question.

It’s an earned spot, and you’ll believe it after witnessing the sheer madness that is Mission Impossible: Ghost Protocol. It makes its competition look like its standing still with a non-stop sprinting pace from start to finish, and its individual action sequences are so creative and well-executed, it’s like watching a ballet integrated with gunfire and explosions. It’s not someone like Michael Bay at the helm, thankfully. Rather we have someone who brings a coherence to his action that Bay never quite manages to find. It seems unlikely that Brad Bird, the director of Pixar’s The Incredibles and Rataouille is that guy, but somehow, some way, his years toiling in animation have prepared him to be one hell of an action director. Mission Impossible as of late has been known for its relatively straightforward plots. The last feature had Tom Cruise chasing after his kidnapped wife, and this one? Why, it’s a madman who wants to blow something up with a nuke.


“CAN YOU HEAR ME NOW?”

It’s not the most original story in supervillain history, and if the film has one flaw, it’s that its bad guys seem painfully underdeveloped and at the same time, overpowered. There are only two of them, one being a middle-aged Swedish born Russian nuclear strategist (Michael Nyqvist), and the other, his burly henchman. Between the two of them, they manage to blow up the entirety of the Kremlin, and steal and prepare to launch a full-on nuclear missile. A lot of action movies have this “infrastructure” problem where one or two villains are able to execute these impossibly grand plans without any semblance of support (see Angels and Demons most recently), but it’s particularly glaring here. It’s just a different sort of unrealism that caught me off guard. I have no problem with Ethan Hunt climbing the side of the world’s tallest building using magnet gloves, but the fact that a paunchy scientist manages to almost destroy the world singlehandedly is a tad annoying.

The “Ghost Protocol” in the title refers to the fact that the IMF has been dismantled by the government after the Kremlin attack, which Ethan (Tom Cruise) and his team are framed for. The only familiar face returning is Benji (Simon Pegg), upgraded from tech support to field agent, but is mostly still just tech support. Then there’s the sexy Jane (Paula Patton), aiming to finish a mission that claimed the life of her agent lover (Josh Holloway), Finally late to the party arrives William Brandt (Jeremy Renner), supposedly a mere analyst, but whose fighting skills prove he’s got a few secrets and eventually boasts an important connection to Ethan.


Despite the chain mail, he’s not secretly a Knight’s Templar.

With only say, a few billion dollars worth of does-not-exist technology, the team has to track down the pieces require to launch the nuke, and while the plot is relatively simple, the means to unravel it is not. The film is an experience to say the least, particularly in the first few rows of an IMAX theater where the non-stop action will have every muscle in your body tense for a full two hours. The set pieces are amazing, every single one of them, and each action sequence in itself could have been the grand finale of some other movie, but here they’re all strung together in an impossible opera of chaos. Shooting on location in places like Dubai and Mumbai gives the film an authenticity that many other CGI heavy blockbusters lack, and say what you will about Tom Cruise off screen, but on it? His Ethan Hunt is one of our greatest working action heroes.

There were rumors that this film was meant to be a torch passing to Jeremy Renner to continue Cruise’s saga after he departs. Honestly, I hope they keep making more of these with Cruise at the helm, and Renner can tag along if he wants. As there are no real overarching story threads that need to be resolved, just an evil plot and a mission to stop it, there’s no reason they can’t keep this series going indefinitely. And I have a hunch that might be exactly what they’ll do.

4.5 out of  5 stars

Monday, 21 November 2011

'Breaking Dawn' rises to $283.5M worldwide debut

By DAVID GERMAIN
Associated Press


"The Twilight Saga" has staked out another huge opening with a $139.5 million first weekend domestically and a worldwide launch of $283.5 million. The domestic total gives "The Twilight Saga: Breaking Dawn — Part 1" the second-best debut weekend for the franchise, after the $142.8 million launch for 2009's "The Twilight Saga: New Moon." ''Breaking Dawn" did more than half of its business, $72 million, on opening day Friday, while the movie's debut weekend was the fifth-best on record.

Opening in 54 overseas markets, "Breaking Dawn" pulled in $144 million internationally, according to studio estimates Sunday. But the Warner Bros. dancing penguin sequel "Happy Feet 2" stumbled in its debut, pulling in just $22 million over opening weekend. That's barely half what the first film in the animated franchise earned in its 2006 opening. The comparison is even worse considering the original did not have the sequel's price advantage for 3-D screenings, which cost a few dollars more than 2-D shows.

The previous weekend's No. 1 movie, Relativity Media's action tale "Immortals," fell to third-place with $12.3 million, raising its domestic haul to $53 million. George Clooney had a great start with Fox Searchlight's comic drama "The Descendants," which broke into the top-10 despite playing in just a handful of theaters. "The Descendants" finished at No. 10 with $1.2 million in 29 theaters, averaging a whopping $42,150 a cinema. That compares to an average of $34,351 in 4,061 theaters for "Breaking Dawn."

Directed by Alexander Payne ("Sideways"), the film stars Clooney as a distressed dad tending to his daughters after his wife falls into a coma from a head injury. The film expands to about 400 theaters Wednesday. In an industry whose main audience is young males, "Twilight" is a rare blockbuster franchise driven by female viewers. Distributor Summit Entertainment reported that women and girls made up 80 percent of the audience for "Breaking Dawn." The popularity of "Twilight" has left many men scratching their heads, even those involved in releasing the movies.

"I'm 53 years old, and I haven't figured it out yet," said Richie Fay, head of distribution for Summit. "It relates really to young girls and things that are important to them, their romantic ideas of love and relationships, without getting so physical, at least on screen, that it becomes a worry for their parents." "Breaking Dawn" has brooding teen Bella (Kristen Stewart) marrying vampire lover Edward (Robert Pattinson), whose family strikes an uneasy alliance with jealous werewolf Jacob (Taylor Lautner) to protect the bride and the baby she's carrying.

The movie's big start points to even better business for next year's "Breaking Dawn — Part 2," the finale in the five-film series based on Stephenie Meyer's best-selling novels. "Breaking Dawn" was a windfall for Hollywood in general, whose domestic revenues continue to trail 2010's despite rosy projections last spring of a record box-office year. Domestic business totaled $222 million, up 14 percent from the same weekend last year, when "Harry Potter and the Deathly Hallows: Part 1" led with $125 million, according to box-office tracker Hollywood.com.

The penguins of "Happy Feet 2" were left in the cold compared with the big debut for the first film, a critical favorite that won the Academy Award for feature animation. The sequel, featuring returning voice stars Elijah Wood and Robin Williams, received mixed to bad reviews. Still, Warner Bros. reported it earned high marks from audiences, which could keep it afloat in the coming weeks. "We honestly feel we'll pick up some steam and play some catch-up as we get into the holidays," said Dan Fellman, head of distribution at Warner.

But the competition for family audiences turns intense in the next few days with Martin Scorsese's youthful adventure "Hugo," the musical comedy "The Muppets" and the animated holiday tale "Arthur Christmas" all opening Wednesday for the busy Thanksgiving holiday weekend. The newcomers, combined with "Breaking Dawn," could lift Hollywood above the Thanksgiving record set in 2009, when "New Moon" paced the industry to a $273 million domestic haul from Wednesday to Sunday.

"This could be one of the greatest movie-going weekends ever in the midst of a year that has really had its ups and downs at the box office," said Hollywood.com analyst Paul Dergarabedian. Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Hollywood.com. Where available, latest international numbers are also included. Final domestic figures will be released Monday.

1. "The Twilight Saga: Breaking Dawn — Part 1," $139.5 million ($144 million international)
2. "Happy Feet 2," $22 million.
3. "Immortals," $12.3 million ($11.9 million international).
4. "Jack and Jill," $12 million.
5. "Puss in Boots," $10.7 million ($2.4 million international).
6. "Tower Heist," $7 million ($4.5 million international).
7. "J. Edgar," $5.9 million.
8. "A Very Harold & Kumar 3D Christmas," $2.9 million.
9. "In Time," $1.7 million.
10. "The Descendants," $1.2 million.

Estimated weekend ticket sales at international theaters (excluding the U.S. and Canada) for films distributed overseas by Hollywood studios, according to Rentrak:

1. "The Twilight Saga: Breaking Dawn — Part 1," $144 million.
2. "The Adventures of Tintin," $21.7 million.
3. "Immortals," $11.9 million.
4. "Real Steel," $6.9 million.
5. "Moneyball," $5.4 million.
6. "Arthur Christmas," $5 million.
7. "Tower Heist," $4.5 million.
8. "In Time," $4.2 million.
9. "The Lion King," $3.6 million.
10. "Paranormal Activity 3," $3.4 million.

Sunday, 13 November 2011

"Immortals" earns $1.4 million in midnight showings



LOS ANGELES (TheWrap.com) - "Immortals" brought in $1.4 million in midnight showings, according to studio estimates. The sword and sandals epic screened in 900 locations. It expands to 3,100 theaters over the weekend.

Relativity projects that its $75 million after tax rebates swords-and-sandals action film will crack a middling $25 million on its opening weekend, but the studio seems enthused by the late screening figures.

The blood splattered 3D film stars up and comers Henry Cavill and Freida Pinto and veterans like John Hurt and Mickey Rourke. Tarsem Singh ("The Cell") directs. It will face off against Oscar contender "J. Edgar" and Adam Sandler's critically panned "Jack & Jill."








Friday, 11 November 2011

Box Office Preview: Can 'Immortals' pass 'Puss'?

By PAUL DERGARABEDIAN - For The Associated Press


Luke Evans, left, and Henry Cavill, cast members in "Immortals," mingle on the red carpet at the premiere of the film, Monday, Nov. 7, 2011, in Los Angeles. The RealD 3D film will be released on Friday. (AP Photo/Chris Pizzello)

LOS ANGELES (AP) — Relativity Media's "Immortals" will battle Paramount/Dreamworks' "Puss in Boots" and Sony's "Jack and Jill" for box office supremacy this weekend in what could be a titan-like clash for No. 1.

But Tarsem Singh's action-adventure set in a mythological world and starring Henry Cavill and Luke Evans should end up prevailing with riches in the $25 million to $30 million range.

The ferocious "Puss in Boots" in its third week on the prowl has continued to dominate the marketplace and could earn another $25 million this weekend and likely cross the $110 million mark by Sunday night.

Adam Sandler will enter the fray this weekend in "Jack and Jill," which features Sandler playing Jack Sadelstein and his identical twin sister Jill in this holiday-themed comedy. An expected gross in the low to mid $20 million range will make for a tightly clustered top three at the box office.

Universal's Tower Heist starring Eddie Murphy and Ben Stiller will see a likely 35-40 percent drop in its second weekend and should steal around $15 million.

Warner Bros.' biopic "J. Edgar" is debuting in around 1,900 theaters and should start its box office file with about $12 million to $15 million. Starring Leonardo DiCaprio as legendary FBI chief J. Edgar Hoover, the Clint Eastwood-directed film is already generating Oscar buzz and critical acclaim.

Paul Dergarabedian is president of the Box Office Division of Hollywood.com and provides box office analysis for The Associated Press.